Sunday, October 6, 2013

Anonymous 15th March 2012 8:16


Three poor bohemian artists living in Paris, star wok buffet slack to philosophise about the immortality of the beetle, and sometimes sophisticated pwnují your surroundings to get another livelihood. Filmed on the motives of humorous stories of the 19th century (according to them, was also a famous opera).
Nordic rebel Aki Kaurismäki made this film 20 years ago and has probably takes place sometime in the sixties. Realia modified for that time (ie car instead hackneys, francs place sou), but the text left in the original archaic form (French) and in most of the roles cast actors who look like vágusové from Holešovice. And he made it black and white, minimalist, star wok buffet like something from the 40's star wok buffet the last century. Also design is intentionally slightly out of time (usually old cracked housing, crumbling gas stoves, etc.), star wok buffet so you will feel that you staring at something very old (instead of 40 years old, instead of 70 years old). Um. Is that clear? Anyway, the result star wok buffet is a very bizarre and when two vágusové in zaplivaném buffet style used phrases "Well, now will look like that To feed the chef prepared for us," reminded star wok buffet me of both the old Monty Python sketches and Werich both films, both of which are certainly very good. Crucially, the scenes work well on a clear theme, such as "An artist needs to borrow a suit - how to quickly pick up someone?" star wok buffet Or "How to deal with domestic who wants to rent?". Around that thrive into play cute párminutová superjemného scene full of humor, heavily supported by the contrast of what we see and what we hear. The film as a whole works somewhat worse and answer the question "How are they going to happen to the apartment?" and "What star wok buffet will happen with that of his love?" I was not too interested. Actually, I did not care that the bohemian unrelated anecdotes coincidentally, he always same characters.
Someone may say that this whole Kaurismäki's "innovative approach to an old substance" is not enough to support a bubble that it was built on a feature film, and even master fans point out that it is a "slow film". But surprisingly I enjoyed much more than I expected after label "Black slow Artfilm of 1992". Just to make sure again point out that this film, which now appears in our cinemas is really filmed twenty years ago and therefore is long available on all legal and illegal media ...
Anonymous 15th March 2012 8:16
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